"Music Education and the Art of Performance in the German Baroque" by John Butt

Marūfī’s Paykar Farhād [Farhād’s Corpse]:

By baroque, one implies the “general attitude” and “the formal quality” of a work of art which is trans-historical and “radiates through” histories, cultures, and works of art. In that way, just a seventeenth-century work of art cannot be considered baroque; on the other hand, even a postmodern work can display “baroque” features. However, as a slave to its era, the baroque of 2oth and 21th cen...

The Influence of Poincaré’s Thoughts on the Origins of Random and Chance in Works of Marcel Duchamp and John Cage

Chance is a broad concept which has become an important factor in linking science and art in the twentieth century. Simultaneously, concept emerged as a new scientific paradigm in Arts by Henry Poincaré and especially Marcel Duchamp, who has affected many artists such as John Cage, one of aleatoric music pioneers .This paper investigates the differences and similarities of the chance concept in...

"The Performance of the Basso Continuo in Italian Baroque Music" By Tharald Borgir

The Role of the German Researchers in the Formation of Islamic Art Studies

In the beginning of the nineteenth century, with the increasing interest of the Europeans in the culture of the East, the first articles on the Islamic art and culture were appeared in German-speaking countries. In the mid nineteenth century, some entries in German encyclopedias were devoted to Islamic art, and from the end of the century, the first monographs on Islamic architecture and orname...

Comparative Analysis of Baroque and Rococo in Interior Decoration of the Masudieh Complex & Qavam Al-Saltaneh Building